Full-length collections and ongoing book-length projects
At last, we listen closely: cryptic crossword poems brings together two favorite pastimes: reading poetry and doing crossword puzzles. In this collection, Holly Painter invents an original form: solvable interconnected poems based on the wordplay-inflected cryptic crosswords found in British newspapers and around the world.
Organized into sections such as "Seas & Seasons" and "Characters & Conversations," the collection comprises 55 poem pairs. Each half of the pair - the "clues" poem and the "answers" haiku - can be enjoyed as standalone poetry, with subject matter ranging from moon-washed forests to pub brawls, rebellious churchwomen to Vermont dairy cows. In some instances, the paired poems are obvious in their shared attentions, working in concert to depict the startling of a deer or a lifetime of queer love. Other pairs invite the reader to consider more oblique or metaphorical connections between the two parts, like an all-night frat party and the way that "zigzag bees pinball between dozy pink blossoms."
Adventurous readers can also choose to join the poet in her work by obscuring the haiku and generating it themselves: each line of the "clues" poem employs the devices and tricks of cryptic crossword setters to provide one word of the "answers" haiku.
At last, we listen closely: cryptic crossword poems is a unique and boundary-blurring reading experience for poetry lovers and puzzle solvers alike.
Holly Painter's third collection charts a course through the tender friendships and lonely queer crushes of childhood and adolescence in Midwestern America and on to the dizzying freedoms of California and the disorientation of love and heartache in New Zealand. Energetic and intimate, these poems blend the personal and the pastoral in their exploration of how we arrive at ourselves.
"These are poems with narrative tension, imagery sensuous and sleek as peach slices in sweet clear syrup, poems that explore the apparently small shocks and nicks of childhood experience that in reality are formative, in turns eroding and galvanising; poems that move into the ruminative and receptive mode of a hard-won adulthood, too. The collection is a gorgeously crafted, painfully moving catalogue of acute perceptions and growth into, or realisation of identity in a society that is still aggressively layered with bigotry and ignorance - and yet which also offers pockets of empathy and love. I found myself rocked, racked, elated and tearful in such quick succession with this collection that it was easy at first to overlook the technical grace and robustness in the poems: but it is there, strong and supple, both helping to carry us over waves of grief, and to drive us through an at times almost ecstatic series of observations of the human carnival."
"Tackling travel, gender, young love, sex, and a rocky emergence from childhood through adolescence and into a vibrantly rendered adulthood, The pressure of all that light is a swaggeringly beautiful account of a person in the process of becoming. The language of this collection ranges from spare and spot on to lush and imaginative, and never fails to surprise. Painter's poems span across years, states and varying landscapes and, as readers, we willingly follow with such a deft hand to guide us. I trust few poets to delve as steadily and meticulously into the mechanics of the human heart as Holly Painter. This collection is a stunning accomplishment."
"Holly Painter's poems keep adding to memory like a brush, painting over layers, such that if you scratch the surface it's striped with history. Real life is made of words, and there are no words for exactly how to say how it feels: to fall in love in a foreign place, to live between genders, to be a human all this time, except maybe all these ones together. The pressure of all this light is the pressure to see everything. Here, on this planet, there is too much to see, and it all goes so well together."
My Pet Sounds Off "translates" 35 popular Beach Boys songs from English to English, updating, editorializing, and goofing around with the poppy lyrics of the world's favorite surf band.
Put on your sunscreen. Pull out the deck chair. Prepare to revisit - with twenty-first century eyes and ears - the soundtrack to your adolescent romantic fantasies, crushing break-ups, and endless summers spent at the beach awash in ocean waves, pheromones, and tight harmonies.
"My Pet Sounds Off is a delightful re-imagining of the Beach Boys' catalog. Holly Painter draws new meaning out of Brian Wilson's classics, from the profound to the profoundly hilarious."
"In this amusing response to the Beach Boys' oeuvre, Holly Painter addresses the toxic stupidity of the all-American boy-man - the surfer-bro with a hard-on for life but no substantial understanding of how the world works. Fortunately, the words of these naive, lustful men are paired with Holly's astute analysis of the Boys' motives and desires. Holly's playful translations offer a celebration of the Boys' original vigor, but thankfully, here, they are reinvigorated by a poet's wit and perspective."
"Ever wonder what the apparently romantic line 'Though life would still go on, believe me' actually means? Translation: 'I would not commit suicide / but I would be very tempted.' Painter's hilarious translations bridge the gulf between classic Beach Boys songs in your ear and those same classic songs on the page, presenting some of the band's most enigmatic work with zero ambiguity. Just as Brian Wilson tapped into those 'pet' sounds others couldn't hear, Painter makes audible the base logics and illogics that accompany all that auditory experiment. 'Oomm dot dit it.' Translation: 'telegram sounds.' Painter's pet tells you exactly what you need to hear."
When the British natural philosophers of the 17th century founded modern natural history, they proposed finding a poet to compile a poetic account of everything that existed in nature, very broadly defined. Four hundred years later, the work is ongoing, made modern and rigorous with rules and style-guides, managers and research-poets.
This collection follows a year's worth of submissions by one such researcher-poet, but the poems are only half the story. The rest lies in the revisions and comments - of both a professional and personal nature - between the poet and the editor back at corporate offices. As the relationship unravels, natural history becomes a tool of the heartbroken and obsessed.
"Holly Painter is a trickster poet, you never know where she's going next. Sometimes she wants to lick your ear. Over the page she might chew your leg off."
"There are two writers of this book: a lyricist and a scientist. One might think they would be at odds with each other, because they are. Painter's poems are punctuated by the commentary of a highly analytic logician. The unremitting voice of reason is given voice, like an alien attempting a study of human emotion in the margins. This book is actually two books. You should read it with you and yourself."
"This book is a tonic for me as a reader and a boost in the blood for poetry. I adore it."
"A beguiling collection: witty, warm and smart."
"Painter has in this one collection told us varied, (at times scandalous), details may exist in margins, details about poets and their editors having far too much to do with each other. Also hinting that a poet's place in the world could prove far broader than anyone may usually imagine."
"Holly Painter's poetry turns to the power and sustenance of story, or to the heart-work that we find when reading about natural history and she relishes the sensual and psychological pleasures to be found there. This is a poet who holds the balance between irony and pathos on a knife's edge."
"...there is a curious and quick brain at work here, and Painter is one to watch in the future."